Jocephus' playlist (AKA What music are you listening to?)

[stretch]

Breakdown - Jack Johnson
Jesus, etc. - Wilco
Mornington Crescent - Belle & Sebastian
Gravity - John Mayer
Three Seed - Silversun Pickups
You're Not Alone Tonight - Keith Urban
No Other Way - Jack Johnson
Goodbye - Drive-By Truckers
When You Come Back Down - Nickel Creek
Little Wing - Stevie Ray Vaughan and Double Trouble
When You Wake Up Feeling Old - Wilco
From The Bottom of My Heart - The Wallflowers
Into The Mystic - Van Morrison
Constellations - Jack Johnson
Space City - Drive-By Truckers
I Want You To Want Me - The Holmes Brothers
Raining On Sunday - Keith Urban

[clevername]

"Chinese Democracy", "The Blues", "IRS", "There Was a Time" by the band that likes to think of itself as Guns n Roses.

Finally. "There Was a Time" was worth the wait.

[docellis]

This chick is out there...

”If Betty were singing today she be something like Madonna, something like Prince, only as a woman. She was the beginning of all that when she was singing as Betty Davis.” ~ Miles Davis

Miles ex-wife - that is what I am listening to.

The former wife of Miles, Betty Mabry Davis is perhaps the only woman in the world who could rightfully have the following legend tattooed across her rear: THIS ASS INVENTED FUSION. While their marriage only lasted a year (1968-1969), Betty's impact on the immortal jazz trumpeter was tremendous. Her cutting-edge musical tastes and incomparable sense of style were too much for Miles to resist. A self-righteous 23-year old model, Betty conquered the man twice her age with a potent mixture of youth, beauty, and sex. Within a year, she had completely remade Miles in her own youthful image. As she poured herself into him, his playing grew younger, his outlook fresh. She ripped through his closets, tossing out the elegant suits he had worn for years. This was the late '60s, revolution was in the air, and suits were the uniforms of the Establishment. The time had come to get hip, and Betty pointed the way, introducing Miles to the musical and material gods of revolutionary style: Jimi Hendrix and Sly Stone.

Anyone with half a grip on the past knows that Miles expereiced far more than a wardrobe makeover during his tumultuous Betty year. Deeply influenced by the cosmic rock guitar of Hendrix and the experimental funk of Sly Stone, Miles turned mad genius and unleashed the electrified musical Frankenstein known as [expletive] Brew. This monster he created would sadly run amok as fusion lost its soul and became an F word. But for a brief moment during these still glowing days of late '60s Eden, Betty ruled as the mentor-muse for the original man and his music. There are even rumors about an unreleased album of songs that Betty wrote and recorded with Miles and his band.

Betty was fire, and while Miles welcomed the sparks, he knew better than to stay too close for too long. In his autobiography he wrote: “Betty was too young and wild for the things I expected from a woman...Betty was a free spirit, she was raunchy and all that kind of [expletive].” Rumor holds that Miles broke things off because he suspected that his wife was tangled up in a torrid affair with Jimi Hendrix, an infidelity that she has flatly denied to this day. Miles self-preserved, giving up his good thing in the end.

It might have been enough if the story ended there, but it certainly did not. As Betty's lyrics attest, she was not a tragic woman beholden to any man. This was a woman with the strength of a Black Panther, a woman in total control, a predatory feline fully aware of the power that her beauty and sexuality gave her over men. On her self-titled 1973 debut album, she declares war on love in her raunchy funk masterpiece, “Anti Love Song.” In sharp lines probably directed at her ex-husband, she sings: “No I don't want to love you / 'Cause I know how you are / Sure you say you're right on and you're righteous / But with me I know you'd be right off / Cause you know I could posess your body / You know I could make you crawl / And just as hard as I'd fall for you, boy / You know you'd fall for me harder / That's why I don't want to love you.” Belted out in a ferocious over the top style, “Anti Love Song” is the classic bad girl anthem. It was songs like this, along with the album's openning track, “If I'm In Luck I Might Get Picked Up,” that solidified her notorious image as a “nasty girl.” Unfortunately for Betty, America was not yet ready to embrace a woman with such an explicitly sexual persona. Her outrageously flamboyant image eclipsed her talent. Several of her live shows were boycotted by religious groups and even canceled. Radio steered clear of her unconventional music, judging it too hard for black stations and too black for white ones. Her records didn't sell. Betty vanished from the scene, a rumored victim of a drug overdose.

That the record buying public shunned Betty Davis should come as no surprise. She had a much rougher edge to her music than other female funk and soul artists of the '70s. Song for song,Betty Davis is actually one of the most extreme sounding debut records of the decade. Like [expletive] Brew, it takes equal parts inspiration from Hendrix and Sly Stone. Future Journey guitarist Neal Schon gives the music its distinctly hard rock Hendrix edge. The Sly angle is fleshed out by former Family Stone drummer Gregg Errico, who plays on and produces the entire record. Former Sly bassist Larry Graham adds an even more unmistakable sound with his trademark grooves. The roster of other musicians playing on this record is impressive: Patryce Banks, Willie Sparks, and Hershall Kennedy of Graham Central Station; Tower of Power horn players Greg Adams and Michael Gillette; and the Pointer Sisters. All these musicians come together to form a flexible and propulsive band, laying down heavy beats behind Neal Schon's dominant lead guitar and Betty's shocking vocals. One critic aptly described their sound as something like a cross between Tina Turner, Funkadelic, and Sly & The Family Stone.

Like all original sounding music, Betty's voice eludes description, and must be heard. A friend was struck by how contemporary it sounded. It's pretty obvious that she was a major influence on Macy Gray. Betty was a powerhouse, pushing her vocal cords to the limit on every performance. She gave it all up, unpredictably alternating between sexy breathiness, moans, and full throated screams. Her voice is not for the feint hearted, as she drags the listener on an fiery tour of her bad-ass soul. This take no prisoners style of singing can sometimes be a bit much to handle. Make no mistake, Betty's brand of black music is not pleasantly soulful, it's ecstatically hard. Many will find it grating and inaccessible in places. Here was a woman capable of projecting sex in a single sceam, an unsentimental envelope pusher with the raucous pipes of a banshee. Even on the album's only slow song, “In The Meantime,” Betty sings with tongue in cheek sweetness about the dark pleasures in being alone, closing out the record with a promise that she will survive with or without a man.

Way ahead of her time, Betty was the original super freak, a musical extremist who demanded too much from her audience. She came and went with a thunderous roar.

[Jocephus]

primus - ol' diamondback sturgeon (fisherman's chronicles, pt. 3)
frank zappa - Massaggio Galore
pink floyd - us and them
red hot chili peppers - falling into grace
frank zappa - father o'blivion
Skerik's Syncopated Taint Septet - irritant
michael jackson - wanna be starting something
keller williams - freeker by the speaker
meat puppets - hot pink
John McLaughlin - Extrapolation
doobie brothers - black water
string cheese incident - lands end
beck - sissyneck

[Radbird]

I picked these up over the weekend and have been listening to them today:

[Blitzer]

10 Years. New single is out on MySpace and New album comes out in the next couple months.






Blitzer

[Blitzer]

To JohnnyJay and all the other John Fruciante fans, Ataxia (consisting of Frusciante, Joe Lally from Fugazi, and Josh Klinghoffer) just released Automatic Writing II. Everything sounds pretty good. Its got a nice classic guitar sound to it.




Blitzer

[DynamicDynamite]

Currently"

Who Run This by Kinspade
Riotmaker by Tech N9ne
What I've Done by Linkin Park
Ex's and Oh's by Atreyu
Seize The Day by Avenged Sevenfold

those are the last songs Ive listened to

[Radbird]

Currently"

Who Run This by Kinspade
Riotmaker by Tech N9ne
What I've Done by Linkin Park
Ex's and Oh's by Atreyu
Seize The Day by Avenged Sevenfold

those are the last songs Ive listened to

This is what is so amazing about music. I've heard of none of these songs, and only one of the groups (LP).

There is so much out there.

[Elphie15]

Rad, what are you listening to lately? I need some new stuff to put on my iPod and I like pretty much everything you listen to.